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dc.contributor.authorLyu, Siqi
dc.contributor.authorPõldver, Nele
dc.contributor.authorKask, Liis
dc.contributor.authorWang, Luming
dc.contributor.authorKreegipuu, Kairi
dc.coverage.spatialTartu, Estoniaen
dc.coverage.spatialHangzhou, Chinaen
dc.date.accessioned2023-10-18T08:23:11Z
dc.date.available2023-10-18T08:23:11Z
dc.date.issued2023
dc.identifier.urihttps://datadoi.ee/handle/33/576
dc.identifier.urihttps://doi.org/10.23673/re-437
dc.description.abstractThis study adopts a cross-linguistic perspective and investigates how musical expertise affects the perception of duration and pitch in language. Native speakers of Chinese (N=44) and Estonian (N=46), each group subdivided into musicians and non-musicians, participated in a mismatch negativity (MMN) experiment where they passively listened to both Chinese and Estonian stimuli, followed by a behavioral experiment where they attentively discriminated the stimuli in the non-native language (i.e., Chinese to Estonian participants and Estonian to Chinese participants). In both experiments, stimuli of duration change, pitch change, and duration plus pitch change were discriminated. We found higher behavioral sensitivity among Chinese musicians than non-musicians in perceiving the duration change in Estonian and higher behavioral sensitivity among Estonian musicians than non-musicians in perceiving all types of changes in Chinese, but no corresponding effect was found in the MMN results, which suggests a more salient effect of musical expertise on foreign language processing when attention is required. Secondly, Chinese musicians did not outperform non-musicians in attentively discriminating the pitch-related stimuli in Estonian, suggesting that musical expertise can be overridden by tonal language experience when perceiving foreign linguistic pitch, especially when an attentive discrimination task is administered. Thirdly, we found larger MMN among Chinese and Estonian musicians than their non-musician counterparts in perceiving the largest deviant (i.e., duration plus pitch) in their native language. Taken together, our results demonstrate a positive effect of musical expertise on language processing.en
dc.formatBDFen
dc.formatEEGen
dc.formatVHDRen
dc.formatVMRKen
dc.formatTXTen
dc.language.isoenen
dc.publisherUniversity of Tartu, Institute of Psychologyen
dc.relationEstonian Research Council (MOBJD662, PRG1151) and the National Social Science Fund of China (23BYY045)en
dc.rightsinfo:eu-repo/semantics/openAccessen
dc.rights.urihttp://creativecommons.org/licenses/by/4.0/*
dc.subjectmusical expertiseen
dc.subjectlanguage processingen
dc.subjectmismatch negativityen
dc.subjectdurationen
dc.subjectpitchen
dc.titleEffect of Musical Expertise the Perception of Duration and Pitch in Language: A Cross-linguistic Studyen
dc.typeinfo:eu-repo/semantics/dataseten
dc.relation.iscitedbyhttps://osf.io/ardfs/en
dc.relation.iscitedbyhttps://doi.org/10.23673/re-428en


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